With significant works by Louise Farrenc, Augusta Holmès and Clémence de Grandval – including two grand operas – Palazzetto Bru Zane is pioneering rediscovery of French music of the 19th century.
The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the ...
How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ ...
Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated ...
Paul Taylor Dance Company's second programme at the Linbury is an invigorating, uplifting, refreshing mix of easily ...
Compelling as a composer and conductor, Adams restored Roy Harris' Third Symphony to the Los Angeles repertoire, alongside ...
A welcome return to London by Paul Taylor Dance Company after more than two decades, this triple bill was worth the wait.
Soprano Cornelia Beskow and accordionist Leo Florin join O/Modernt for a night of gypsy vim and Viennese swing at Wigmore ...
The Norwegian pianist assembles an intricate selection of fragments, aphorisms and character pieces for an intriguing New York recital.
A particularly evocative Largo in Vivaldi ’s Concerto in G ‘La notte’ set the tone. Calm sustained chords cushioned Horsch’s ...
Retrospection held at bay by the conductor's unusual choice of Rudolf Barshai's completion to Mahler's last symphony.
In Edinburgh’s Usher Hall, Mozart’s final three symphonies are given a vibrant interpretation by the Scottish Chamber Orchestra conducted by the effervescent Maxim Emelyanychev.
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